Prospero is a thriving world.
The abundance of the present in which the dual dissolves.
A flowery concentration.
Prospero is a way to have fun with your own armours.. bark smoothed out and dense interior world.
There’s an initial tremor of the doors to try to contain the internal life of the wardrobe, to guard it, to protect it…but the course of events ensures that this world and its character cannot hide for long. Slowly the wardrobe comes to life and changes its appearance, literally closing out its inhabitant.
A lively game of doors, vegetation and lights will lead the character to manifest himself, revealing us in its most sincere and joyful nature, through an acrobatic game inside the closet, now stripped of the doors.
Prospero is an invitation to play and explore their own contradictions and ways of manifesting themselves to the world.
Prospero that, of Shakespeare’s comedy, has only a little shake and a pure desire of magic
Poetic

The decontextualization of a wardrobe from its home environment to the street causes, besides a great curiosity, a transformation of the imagination and content.” The inner space of an old wardrobe is deep. A wardrobe’s inner space is also intimate space, space that is not open to just anybody.” G. Bachelard (The Poetics of Space)
The protagonist of the show in spite of what Bachelard says, reveals his world and opens the doors… The wardrobe in this show becomes a container of intimate, personal worlds, in which the spectators can identify and smile at their own contradictions between the outside and the inside world.
It’s an incentive to get rid of our masks and habits
In PROSPERO the wardrobe is reinvented as an acrobatic object and spoken the universal language, a body of a woman that reinvents the aerial acrobatic within a wardrobe creating its poetry of furniture.
Claudia reinvents the aerial circus technique through the wardrobe to tell her poetry.